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John Whitehurst by Joseph Wright

plate no. 1195

John Whitehurst

Joseph Wright, 1783

oil, canvasRomanticismportraitportraitfiguremanlandscapevolcanowriting
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle skin tones, as well as understanding atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the landscape elements.

  2. step 02

    Establish the dark background with a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the figure with mid-tone browns and grays.

  4. step 04

    Begin building up the skin tones, paying close attention to the highlights and shadows on the face.

  5. step 05

    Add details to the clothing and hands, focusing on the folds and wrinkles.

  6. step 06

    Paint the landscape in the background, using lighter tones to create a sense of distance.

  7. step 07

    Refine the details of the face and hair, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Mix skin tones using white, yellow ochre, a touch of red, and a small amount of blue or burnt umber for shadows. Create atmospheric perspective in the background by adding white to the colors to lighten and desaturate them.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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