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home·artworks·John Maclauchlan, Chief Librarian of Dundee Free Library
John Maclauchlan, Chief Librarian of Dundee Free Library by James Archer

plate no. 0458

John Maclauchlan, Chief Librarian of Dundee Free Library

James Archer, 1893

oilRomanticismportraitportraitmanbookclothingfigureformal
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating subtle value gradations and depicting fabrics.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and book.

  2. step 02

    Block in the background with a mid-tone brown, establishing the overall value range.

  3. step 03

    Begin layering in the skin tones, starting with the shadows and gradually adding highlights.

  4. step 04

    Paint the clothing, paying attention to the folds and textures of the fabric.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  6. step 06

    Refine the book, adding details such as the pages and cover.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · alizarin crimson · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, alizarin crimson, and titanium white. Darken colors with ivory black and lighten with titanium white. Use ultramarine blue to create the dark shades in the clothing.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value gradations in the background and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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