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home·artworks·John Loader Maffey, 1st Baron Rugby
John Loader Maffey, 1st Baron Rugby by Philip de Laszlo

plate no. 4960

John Loader Maffey, 1st Baron Rugby

Philip de Laszlo, 1923

oilImpressionismportraitportraitfiguremanclothingmedalbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Refine the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing and accessories, such as the medal.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add final details and adjust values as needed.

  8. step 08

    Varnish when dry for protection and to enhance colors.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium yellow light · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use white to lighten values and yellow ochre to create warm highlights.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·portraiture

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Using too much detail in the background, distracting from the main subject.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ivory black, raw umber, burnt sienna, titanium white, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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