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home·artworks·John Hampden
John Hampden by Charles Turner

plate no. 2471

John Hampden

Charles Turner, 1810

oilRomanticismportraitportraitfigurearmorhistorical figureclothingmale
some experience helpful

Recreating this portrait will help students develop skills in tonal painting, portraiture, and rendering metallic surfaces. Students will also practice capturing likeness and creating a sense of depth through value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and armor.

  2. step 02

    Establish the overall value range by applying a thin wash of a mid-tone color across the entire canvas.

  3. step 03

    Block in the darkest areas of the painting, such as the background and shadows in the clothing and armor.

  4. step 04

    Begin to build up the lighter areas, paying close attention to the highlights on the face and armor.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Add details to the armor, such as the rivets and reflections, to create a sense of realism.

  7. step 07

    Soften edges and blend tones to create a smooth, polished finish.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt umber to add warmth to the skin tones and armor.

techniques

  • ·tonal painting
  • ·portraiture
  • ·rendering metal
  • ·blending
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall value range.
  • →Creating harsh lines and edges instead of smooth transitions.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning to paint.

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