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home·artworks·John Francis, 7th Earl of Mar, and Family
John Francis, 7th Earl of Mar, and Family by David Allan

plate no. 5367

John Francis, 7th Earl of Mar, and Family

David Allan

oilRomanticismportraitfigureslandscapetreesbuildingskydog
experienced study

Recreating this painting will help students develop skills in portraiture, composition, and rendering atmospheric perspective. It also provides practice in depicting complex drapery and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, the building, and the tree.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the figures with simplified color masses, focusing on accurate proportions.

  4. step 04

    Develop the details of the faces, paying attention to light and shadow to create form.

  5. step 05

    Add details to the clothing, focusing on the folds and textures of the fabrics.

  6. step 06

    Refine the landscape elements, adding details to the trees and foliage.

  7. step 07

    Add the small details like the hat, dog, and children's toys.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious composition.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · viridian green

Mix various shades of brown and green by combining burnt umber, yellow ochre, ultramarine blue, and white. Use cadmium red to create the red tones in the figures' clothing.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·drapery rendering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate color mixing leading to muddy tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a toned ground to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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