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home·artworks·John Charles Spencer, 3rd Earl Spencer
John Charles Spencer, 3rd Earl Spencer by Charles Turner

plate no. 8573

John Charles Spencer, 3rd Earl Spencer

Charles Turner, 1832

oilRomanticismportraitportraitfigureclothingbookstabledrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts to create form and depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure and objects.

  2. step 02

    Establish the background with broad, blended strokes of muted purples and browns.

  3. step 03

    Block in the main shapes of the figure, focusing on the dark values of the clothing and hair.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Add details to the clothing, such as the buttons and folds, using smaller brushes and more precise strokes.

  6. step 06

    Paint the books and table, using similar techniques as the background to create a sense of depth.

  7. step 07

    Add highlights to the face, hands, and clothing to create a sense of light and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and values.

color palette

primary · ivory black · raw umber · burnt umber

secondary · titanium white · alizarin crimson · ultramarine blue

Mix various shades of brown and purple by combining raw umber, burnt umber, alizarin crimson, and ultramarine blue. Use titanium white to lighten the values and create highlights.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using too much white and creating a chalky effect.
  • →Not paying attention to the subtle value shifts in the face and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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