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John Adams by Gilbert Stuart

plate no. 8993

John Adams

Gilbert Stuart, 1815

oilRomanticismportraitportraitfiguremanclothinghistorical figurelace
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering skin tones and fabric folds. It also provides practice in creating subtle gradations of light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color: background, skin, clothing.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, rendering the folds and textures.

  6. step 06

    Add the details of the lace collar and cuffs.

  7. step 07

    Refine the background and adjust the overall values to create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and raw umber to create the dark tones in the clothing and background.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Oversimplifying skin tones and creating a flat, lifeless appearance.
  • →Failing to accurately capture the proportions and likeness of the subject.
  • →Making the background too distracting or overpowering.
  • →Getting the values wrong, resulting in a lack of depth and dimension.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, ultramarine blue)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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