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home·artworks·Johann Hus At The Council Of Constance
Johann Hus At The Council Of Constance by Karl Lessing

plate no. 7413

Johann Hus At The Council Of Constance

Karl Lessing, 1842

oilRomanticismhistory paintingfigureshistorical sceneinteriorrobescouncilbooks
experienced study

Recreating this painting would develop skills in portraiture, rendering complex drapery, and creating depth through atmospheric perspective. Students will also learn to manage a complex composition with many figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the background with thin washes of color, focusing on the overall tonal values.

  3. step 03

    Begin painting the main figure (Johann Hus), paying close attention to the light and shadow on his face and clothing.

  4. step 04

    Work on the figures in the foreground, focusing on the details of their robes and faces.

  5. step 05

    Gradually add detail to the figures in the background, using softer edges and less saturated colors to create depth.

  6. step 06

    Refine the lighting and shadows throughout the painting, paying attention to the overall mood and atmosphere.

  7. step 07

    Add final details, such as the books and other objects in the scene.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth tones with small amounts of primary colors. Use glazes of burnt umber and raw sienna to create depth and warmth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and tonal values.
  • →Using colors that are too bright or saturated, which can detract from the somber mood of the painting.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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