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home·artworks·Jews Praying in the Synagogue on Yom Kippur
Jews Praying in the Synagogue on Yom Kippur by Maurycy Gottlieb

plate no. 3632

Jews Praying in the Synagogue on Yom Kippur

Maurycy Gottlieb, 1878

oil, canvasRomanticismgenre paintingfiguressynagogueprayerreligious ceremonyinteriortorah scroll
experienced study

Recreating this painting will help students develop skills in painting figures in complex compositions and capturing subtle variations in skin tones and fabric textures. It also provides practice in rendering architectural details and creating a sense of depth in an interior scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the figures, focusing on accurate proportions and anatomical details.

  4. step 04

    Develop the background elements, paying attention to the architectural details and lighting.

  5. step 05

    Add details to the clothing and accessories, capturing the textures and patterns.

  6. step 06

    Refine the skin tones and facial features, using subtle color variations to create depth and realism.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Use ultramarine blue and burnt umber to create muted grays and blacks for the clothing and architectural details.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the composition
  • →Ignoring the subtle variations in skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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