
plate no. 7909
Tsuguharu Foujita, 1956
Recreating this painting will help students develop skills in portraiture, including capturing subtle skin tones and rendering delicate details like the birds' feathers. It also offers practice in creating soft, diffused lighting and suggesting texture through layering.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the figure, birdcage, and birds, paying attention to proportions and placement.
Establish the background with a thin wash of diluted color, focusing on the sky and the wall.
Begin layering the skin tones on the figure, starting with a light base and gradually building up shadows and highlights.
Paint the headscarf, using a mix of colors to create depth and folds.
Block in the basic colors of the dress and sash, then add shadows and highlights to define the form.
Carefully paint the birds, paying attention to their anatomy and feather details.
Render the birdcage, using fine lines to suggest the wire structure.
Add final details and refine the edges to complete the painting.
color palette
primary · raw umber · yellow ochre · titanium white · burnt sienna
secondary · cerulean blue · cadmium red light
Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Use diluted washes of raw umber and yellow ochre for the background and birdcage. Mix cerulean blue with white for the scarf highlights.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Pre-stretch the watercolor paper to prevent buckling.
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