
plate no. 4107
Thomas Francis Dicksee, 1867
Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering fabric textures. Students will also learn to create a sense of depth and atmosphere through subtle value changes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and key elements.
Establish the background color with a thin wash of paint.
Block in the main shapes of the figure, clothing, and hair with simplified colors.
Begin refining the skin tones, paying attention to subtle variations in color and value.
Develop the details of the clothing, including the folds, highlights, and shadows.
Add the jewelry and other accessories, focusing on their texture and reflectivity.
Paint the keys, capturing their metallic appearance and intricate details.
Refine the overall painting, adjusting values and adding final details to create a cohesive and polished work.
color palette
primary · alizarin crimson · yellow ochre · titanium white · ivory black
secondary · ultramarine blue · burnt umber · raw sienna
Achieve skin tones by mixing white, yellow ochre, and alizarin crimson, adjusting the proportions to create different shades. Use burnt umber and ultramarine blue to create shadows and darker tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke