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home·artworks·Jedburgh Abbey from the River
Jedburgh Abbey from the River by Thomas Girtin

plate no. 5616

Jedburgh Abbey from the River

Thomas Girtin, 1798

oilRomanticismlandscapeabbeyriverfigurestreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing to create muted tones, and rendering architectural details with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the abbey, the riverbank, and the figures.

  2. step 02

    Establish the sky with a light wash of blue and yellow, suggesting clouds.

  3. step 03

    Apply a thin wash of diluted brown and grey to the abbey, indicating its overall form and shadows.

  4. step 04

    Paint the riverbank with a mix of greens, browns, and blues, varying the tones to create depth.

  5. step 05

    Add details to the abbey, such as the arches and windows, using a fine brush.

  6. step 06

    Paint the figures with simple shapes and muted colors, focusing on their silhouettes.

  7. step 07

    Add darker tones to the trees and shadows to enhance the contrast.

  8. step 08

    Refine the details and add highlights to complete the painting.

color palette

primary · ultramarine blue · raw umber · yellow ochre

secondary · burnt sienna · ivory black

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, green and red) with white or grey. Use plenty of water to create transparent washes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of atmospheric perspective, making the background appear too sharp.
  • →Not diluting the paints enough, creating a heavy and opaque effect.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·ruler
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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