apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jeanne Pontillon Wearing a Hat
Jeanne Pontillon Wearing a Hat by Berthe Morisot

plate no. 0781

Jeanne Pontillon Wearing a Hat

Berthe Morisot, 1893

pastelImpressionismportraitportraitwomanhatpastelfigureimpressionism
some experience helpful

Recreating this pastel portrait will help students develop skills in layering colors, creating soft edges, and capturing the essence of a subject with minimal detail. It's a great exercise in impressionistic techniques and color harmony.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders using a light pastel pencil.

  2. step 02

    Establish the main areas of light and shadow on the face and hat with broad strokes of pastel.

  3. step 03

    Begin layering colors on the face, using pinks, yellows, and blues to create a sense of depth and form.

  4. step 04

    Develop the hat by layering yellows, blues, greens, and reds, paying attention to the direction of the strokes to suggest texture.

  5. step 05

    Add details to the eyes, nose, and mouth, using darker pastels to define the features.

  6. step 06

    Soften the edges of the forms by gently blending the pastels with a finger or blending stump.

  7. step 07

    Add final touches of color and highlights to enhance the overall impression.

  8. step 08

    Fix the pastel with a light coat of workable fixative.

color palette

primary · yellow · pink · blue · red

secondary · green · purple · brown

Achieve skin tones by layering pinks, yellows, and blues. Create depth in the hat by layering complementary colors like yellow and blue, red and green.

techniques

  • ·pastel layering
  • ·soft blending
  • ·color mixing
  • ·hatching
  • ·scumbling

common pitfalls

  • →Over-blending and losing the vibrancy of the colors.
  • →Using too much pressure and filling the tooth of the paper too quickly.
  • →Not establishing a clear value structure early on.
  • →Getting bogged down in details and losing the overall impressionistic feel.

materials

surface · pastel paper

required

  • ·Pastel paper
  • ·Soft pastels (various colors)
  • ·Pastel pencils
  • ·Blending stump
  • ·Kneaded eraser
  • ·Workable fixative
  • ·Drawing board
  • ·Soft cloth

optional

  • ·Palette knife
  • ·Easel
  • ·Reference photo print

Choose a pastel paper with a good tooth to hold the pastel pigment. Use soft pastels for broad strokes and layering, and pastel pencils for finer details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann