apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Jeanne Antoinette Poisson, Marquise De Pompadour
Jeanne Antoinette Poisson, Marquise De Pompadour by Charles de Steuben

plate no. 6873

Jeanne Antoinette Poisson, Marquise De Pompadour

Charles de Steuben, 1848

oilRomanticismportraitportraitfiguredressinteriorfurniturebooks
experienced study

Recreating this painting would help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in depicting complex lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and surrounding elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone and texture.

  4. step 04

    Focus on the figure, starting with the face and hands, gradually building up the details and refining the likeness.

  5. step 05

    Render the dress, carefully observing the folds, highlights, and shadows to create a sense of volume and movement.

  6. step 06

    Add details to the furniture and books, paying attention to their textures and forms.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a harmonious and balanced image.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Create the fabric colors by layering yellow ochre, raw umber, and titanium white with subtle variations.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·fabric rendering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in tone and color.
  • →Ignoring the overall composition and balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting to paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke