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home·artworks·Jean Terford David
Jean Terford David by Thomas Sully

plate no. 2784

Jean Terford David

Thomas Sully, 1813

oilRomanticismportraitportraitfiguremilitaryclothingmalebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and textures, and creating depth through layering and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, blended strokes of muted browns and grays.

  3. step 03

    Block in the main shapes of the figure, using a limited palette of earth tones.

  4. step 04

    Develop the skin tones, layering thin washes of color to create subtle variations.

  5. step 05

    Refine the details of the clothing, paying attention to the folds and textures.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Paint the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Darken colors with burnt umber and black. Create subtle variations by adding small amounts of other colors.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Creating harsh lines or edges, rather than soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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