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home·artworks·Jean Duff (1746–1805), Lady Grant
Jean Duff (1746–1805), Lady Grant by David Allan

plate no. 2041

Jean Duff (1746–1805), Lady Grant

David Allan, 1780

oilRomanticismportraitportraitfiguredresslacetableflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as rendering fabric textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background with a thin, even layer of a neutral color.

  3. step 03

    Block in the main shapes of the figure, including the head, body, and clothing, using simplified color masses.

  4. step 04

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Develop the details of the dress, including the lace, ribbons, and folds, using a variety of brushstrokes.

  6. step 06

    Add the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Refine the background and add any final details, such as the flowers in the hair and the texture of the table.

  8. step 08

    Add highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium yellow

secondary · alizarin crimson · yellow ochre · ivory black

Achieve skin tones by mixing white, raw umber, and a touch of alizarin crimson. Use ultramarine blue and white for the blue fabrics, and cadmium yellow and raw umber for the gold tones.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones
  • →Overworking the details
  • →Ignoring the subtle variations in color and value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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