
plate no. 1151
Paul Kane, 1847
Recreating this painting will help students learn about atmospheric perspective and how to simplify complex landscapes into basic shapes and values. It's also a good exercise in limited color palettes and achieving subtle color variations.
technical profile
approach — 8 steps
Lightly sketch the main shapes: mountains, buildings, and the horizon line.
Block in the sky with a diluted wash of pale pink or lavender.
Apply a thin wash of light brown or beige to the mountains, leaving highlights for snow.
Add darker tones to the mountains to define shadows and crevices.
Paint the trees with a mix of green and brown, using vertical strokes.
Block in the buildings with light brown, adding details like logs and roofs.
Paint the tipis with a similar light brown, adding shadows to create depth.
Add final details like small trees and vegetation in the foreground.
color palette
primary · raw umber · titanium white · burnt sienna
secondary · sap green · alizarin crimson · ultramarine blue
Mix white with small amounts of umber and sienna for the mountains. Use crimson and blue to create muted purples for the sky and mountain shadows. Mix green and umber for the trees.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Using good quality paper will make blending easier. For acrylics, a canvas primed for acrylics is recommended.
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