
plate no. 9032
Thomas Sully, 1831
Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing likeness, as well as understanding chiaroscuro and creating depth through value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and hand.
Establish the background with a thin wash of dark brown, gradually building up the values.
Block in the main areas of the figure: the face, hair, clothing, and white cravat.
Begin refining the skin tones, using subtle color variations to create form and dimension.
Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness of the subject.
Work on the clothing, paying attention to the folds and drapery, and the contrast between the dark coat and the white cravat.
Add the book in the hand, and refine the hand itself.
Make final adjustments to the values and details, ensuring that the painting has a sense of depth and realism.
color palette
primary · ivory black · raw umber · titanium white · cadmium red light
secondary · yellow ochre · burnt sienna
Skin tones are achieved by mixing white, red, yellow ochre, and a touch of raw umber. Dark areas are created with black and raw umber, lightened with white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.
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