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Japanese Switzerland by John Lavery

plate no. 5488

Japanese Switzerland

John Lavery, 1913

oilImpressionismportraitfiguressnowwinterlandscapeclothing
some experience helpful

This painting is great for learning how to capture light and shadow in a snowy landscape and how to simplify figures into basic shapes. Students can practice creating subtle color variations to represent the nuances of light on snow and dark clothing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: the snow, the sky, and the dark clothing.

  3. step 03

    Establish the darkest darks and lightest lights to create a sense of depth.

  4. step 04

    Begin to refine the shapes of the figures, paying attention to the folds and shadows in the clothing.

  5. step 05

    Add subtle color variations to the snow to represent the light and shadows.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add details such as the faces and the ski pole.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · titanium white · ivory black · ultramarine blue

secondary · raw umber · yellow ochre · cadmium red light

Mix white with small amounts of blue and umber to create the cool tones of the snow. Use black and umber to create the dark tones of the clothing, adding small amounts of red or blue to adjust the temperature.

techniques

  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the sense of spontaneity.
  • →Making the snow too white and flat, without enough color variation.
  • →Creating harsh edges and losing the atmospheric perspective.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·round brushes sizes 2, 4, and 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for some texture. Consider using a toned canvas to help establish the values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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