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home·artworks·Japanese lady in red kimono
Japanese lady in red kimono by Isaac Israels

plate no. 3475

Japanese lady in red kimono

Isaac Israels, 1920

oilImpressionismportraitfigureportraitkimonojapaneseredwoman
some experience helpful

This painting is great for practicing loose brushwork and capturing a likeness with minimal detail. Students will learn to simplify shapes and use color temperature to create form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, focusing on proportions.

  2. step 02

    Block in the background with dark, muted tones.

  3. step 03

    Establish the basic values of the skin tones, using a limited palette.

  4. step 04

    Apply the red of the kimono, varying the hue and value to create folds and depth.

  5. step 05

    Add details to the hair and face, using small, deliberate brushstrokes.

  6. step 06

    Introduce secondary figures and objects, keeping them less defined.

  7. step 07

    Refine the edges and add highlights to create a sense of light.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · burnt umber · cadmium red · titanium white

secondary · ivory black · yellow ochre · ultramarine blue

Mix various shades of red by adding white, umber, or a touch of blue. Achieve skin tones by mixing white, yellow ochre, and a small amount of red and umber.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·simplification

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much detail in the background, which can distract from the main subject.
  • →Not paying attention to the subtle color variations in the skin tones.
  • →Creating muddy colors by over-mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (burnt umber, cadmium red, titanium white, ivory black, yellow ochre, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·selection of brushes (round and flat, sizes 2-8)
  • ·linseed oil or other painting medium
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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