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home·artworks·James Guthrie Orchar, Provost of Broughty Ferry
James Guthrie Orchar, Provost of Broughty Ferry by John Pettie

plate no. 4416

James Guthrie Orchar, Provost of Broughty Ferry

John Pettie, 1884

oilRomanticismportraitportraitfiguremantableinstrumentbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and creating realistic skin tones. It also provides practice in rendering textures like fabric and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure and table.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Establish the background color and begin to refine the shadows and highlights.

  4. step 04

    Start working on the face, focusing on capturing the likeness and subtle variations in skin tone.

  5. step 05

    Develop the details of the clothing, paying attention to the folds and textures of the fabric.

  6. step 06

    Paint the hands and the instrument, carefully observing the light and shadow.

  7. step 07

    Refine the details and add finishing touches, such as highlights in the hair and eyes.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Add small amounts of cadmium red or yellow ochre to warm up the skin tones.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions
  • →muddy colors
  • →lack of contrast
  • →overworked details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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