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Jalousie by Eugène Grasset

plate no. 9712

Jalousie

Eugène Grasset

oilArt Nouveau (Modern)genre paintingfigureroseshairshawllandscapesky
some experience helpful

Recreating this painting will help students develop skills in rendering delicate facial features, creating soft, flowing hair, and capturing the subtle color variations in roses. It also offers practice in creating a balanced composition with a clear focal point.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the circular format.

  2. step 02

    Outline the figure, roses, and background elements with light pencil lines.

  3. step 03

    Begin with the background, laying in washes of blue and grey for the sky and darker blues for the distant landscape.

  4. step 04

    Paint the roses, starting with the lightest areas and gradually adding shadows and details.

  5. step 05

    Render the figure's skin tones, focusing on smooth transitions and subtle shading.

  6. step 06

    Paint the hair, using a light yellow base and adding darker tones to create depth and texture.

  7. step 07

    Add the shawl, paying attention to the folds and patterns.

  8. step 08

    Refine details and add highlights to complete the painting.

color palette

primary · yellow ochre · titanium white · cerulean blue

secondary · burnt umber · sap green · ivory black

Mix light skin tones with white, yellow ochre, and a touch of red. Achieve the rose colors by mixing white with small amounts of red, pink, and yellow. Create the greens by mixing blue and yellow, adjusting the ratio for different shades.

techniques

  • ·glazing
  • ·blending
  • ·hatching
  • ·dry brushing
  • ·color layering

common pitfalls

  • →Overworking the details and losing the soft, ethereal quality.
  • →Using colors that are too saturated and not capturing the subtle tones.
  • →Failing to create a smooth transition between light and shadow.
  • →Not paying attention to the proportions and anatomy of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas (circular)
  • ·acrylic paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·soft cloth
  • ·pencil

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. A circular canvas will be needed to match the original.

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oil painting for beginners →how to learn by studying the masters →
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