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home·artworks·Jacques-Emile Blanche
Jacques-Emile Blanche by Walter Sickert

plate no. 9368

Jacques-Emile Blanche

Walter Sickert, 1910

oilImpressionismportraitportraitfiguremanhatclothingindoors
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically capturing likeness and form with loose, expressive brushstrokes. It also provides practice in mixing and applying a limited color palette to create a cohesive and atmospheric effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the larger shapes and relationships.

  4. step 04

    Begin to build up the form with thicker, more textured brushstrokes, paying attention to the direction of light.

  5. step 05

    Refine the facial features, using small, precise strokes to capture the likeness.

  6. step 06

    Add details to the clothing and hat, using a variety of brushstrokes to create texture and interest.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · raw sienna · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, ivory black, and white. Add small amounts of yellow ochre or raw sienna to warm up the colors, and ultramarine blue to cool them down.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·dry brush
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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