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home·artworks·Ivan Vorontsov-Dashkov
Ivan Vorontsov-Dashkov by Charles de Steuben

plate no. 8467

Ivan Vorontsov-Dashkov

Charles de Steuben, 1845

oilRomanticismportraitportraitmanclothingchairtablebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in depicting fabric and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin underpainting using burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the background, clothing, and skin, focusing on accurate color matching.

  4. step 04

    Refine the skin tones by layering and blending different shades of flesh tones.

  5. step 05

    Add details to the clothing, including highlights and shadows to create a sense of volume.

  6. step 06

    Paint the hair, paying attention to the direction of the strands and the overall shape.

  7. step 07

    Add the final details, such as the jewelry, facial features, and highlights.

  8. step 08

    Glaze to unify the painting and adjust the values and colors as needed.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · emerald green

Mix various shades of flesh tones using titanium white, yellow ochre, cadmium red light, and a touch of burnt umber or ultramarine blue. Achieve the dark blacks by mixing ivory black with a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value study
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overblending the skin tones, resulting in a flat or lifeless appearance.
  • →Using too much black, making the painting look dull.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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