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home·artworks·Ivan Mikhailovich Skoropadsky with his wife Elizaveta Petrovna Skoropadskaya (nee Tarnovskaya) with her daughter Natalia
Ivan Mikhailovich Skoropadsky with his wife Elizaveta Petrovna Skoropadskaya (nee Tarnovskaya) with her daughter Natalia by Pierre Duval Le Camus

plate no. 5609

Ivan Mikhailovich Skoropadsky with his wife Elizaveta Petrovna Skoropadskaya (nee Tarnovskaya) with her daughter Natalia

Pierre Duval Le Camus, 1842

oilRomanticismportraitfigureslandscapearchitecturedogflowersportrait
experienced study

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as creating depth through atmospheric perspective in the background. It also provides practice in capturing fine details in clothing and facial features.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures, architecture, and landscape.

  2. step 02

    Block in the main shapes and colors of the background, starting with the sky and gradually adding the trees and distant landscape.

  3. step 03

    Establish the basic values and colors of the figures, paying attention to the light source and shadows.

  4. step 04

    Develop the details of the clothing, including the folds, textures, and patterns.

  5. step 05

    Refine the facial features and expressions of the figures, using subtle variations in tone and color.

  6. step 06

    Add the details of the architecture, including the windows, columns, and decorative elements.

  7. step 07

    Paint the foreground elements, such as the dog, flowers, and terrace, adding details and textures.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the colors and values are balanced and harmonious.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson · sap green

Mix various shades of gray and brown for the clothing and architecture. Use glazes of alizarin crimson and cadmium red light to create the rosy tones in the skin and fabrics. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering drapery

common pitfalls

  • →Incorrect proportions of the figures
  • →Overworking the details
  • →Ignoring the light source
  • →Creating muddy colors
  • →Failing to establish depth

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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