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home·artworks·Italian Landscape
Italian Landscape by George Hemming Mason

plate no. 7883

Italian Landscape

George Hemming Mason, 1858

oilRomanticismgenre paintinglandscapefigureshorsesbuildingsmountainswater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures and animals in a landscape setting. It also provides practice in creating a sense of depth and distance through color and value variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horses.

  2. step 02

    Establish the horizon line and the main areas of light and shadow.

  3. step 03

    Block in the sky with a light blue wash, blending it towards the horizon.

  4. step 04

    Apply a base layer of warm earth tones to the landscape, varying the colors slightly to create depth.

  5. step 05

    Paint the buildings, using a mix of warm and cool grays to suggest the stone texture.

  6. step 06

    Add the figures and horses, paying attention to their proportions and anatomy.

  7. step 07

    Refine the details, such as the foliage, water, and architectural elements.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing earth colors with white and small amounts of blue or yellow. Use a touch of crimson to warm up the browns and create subtle variations in the flesh tones.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly saturated colors that detract from the overall harmony.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the proportions of the figures and animals.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gel

Use a medium-textured canvas to allow for better paint adhesion and blending. Consider using a limited palette to simplify the color mixing process.

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