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home·artworks·Italian genre scene with grandmother and child
Italian genre scene with grandmother and child by Ernst Meyer

plate no. 3572

Italian genre scene with grandmother and child

Ernst Meyer

oil, canvasRomanticismgenre paintingfiguresinteriorgrandmotherchildcatbooks
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to depict realistic skin tones and fabrics.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and major objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas for the figures, clothing, and background.

  4. step 04

    Develop the light source and begin to define the forms with highlights and shadows.

  5. step 05

    Refine the details of the faces, hands, and clothing, paying attention to the subtle color variations.

  6. step 06

    Add details to the background, such as the window, furniture, and other objects.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the initial value structure.

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