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home·artworks·Italian army soldiers involved in hand-to-hand fighting with Imperial Austro-Hungarian troops in Trentino, North Italy
Italian army soldiers involved in hand-to-hand fighting with Imperial Austro-Hungarian troops in Trentino, North Italy by Achille Beltrame

plate no. 3013

Italian army soldiers involved in hand-to-hand fighting with Imperial Austro-Hungarian troops in Trentino, North Italy

Achille Beltrame, 1918

oilArt Nouveau (Modern)illustrationsoldiersbattlemountainscannonsweaponsfigures
experienced study

Recreating this painting will help students develop skills in depicting dynamic figures in action and creating a sense of depth and chaos in a complex scene. Students will also learn to use color to convey mood and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, cannons, and mountain backdrop.

  2. step 02

    Establish the horizon line and general perspective.

  3. step 03

    Block in the main color masses: the green uniforms, the gray/brown earth, and the white/blue mountains.

  4. step 04

    Start adding details to the figures, focusing on their poses and expressions.

  5. step 05

    Develop the cannons and other equipment, paying attention to their form and texture.

  6. step 06

    Refine the background, adding details to the mountains and sky.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Finish with small details like weapons, straps, and facial features.

color palette

primary · olive green · burnt umber · titanium white

secondary · sky blue · raw sienna · gray

Mix greens by combining blues and yellows with umber for muted tones. Achieve the mountain colors by mixing white with small amounts of blue and brown.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →getting lost in the details too early
  • →flattening the figures by not paying attention to light and shadow
  • →overworking the painting and losing the sense of spontaneity
  • →inaccurate proportions of figures and equipment

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·olive green oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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