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home·artworks·Isola San Giulio, Lake Orta
Isola San Giulio, Lake Orta by Edward Poynter

plate no. 9349

Isola San Giulio, Lake Orta

Edward Poynter, 1880

oilRomanticismlandscapelakeislandbuildingsmountainsskytown
experienced study

Recreating this painting will help students understand atmospheric perspective and how to create the illusion of depth through color and detail. It also provides practice in rendering architectural details and reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, dividing the canvas into foreground, middle ground (island), and background (mountains).

  2. step 02

    Establish the base colors for the sky and water, blending them smoothly.

  3. step 03

    Block in the general shapes of the mountains, using darker values for shadows and lighter values for highlights.

  4. step 04

    Paint the island, focusing on the architectural details of the buildings. Use a smaller brush for finer lines.

  5. step 05

    Create reflections of the island and buildings in the water, using slightly blurred and muted colors.

  6. step 06

    Add details to the foreground buildings, paying attention to the perspective and lighting.

  7. step 07

    Refine the colors and values throughout the painting, adjusting the atmospheric perspective as needed.

  8. step 08

    Add final details, such as small boats on the water and highlights on the buildings.

color palette

primary · ultramarine blue · burnt sienna · raw umber

secondary · yellow ochre · titanium white · alizarin crimson

Achieve the muted tones by mixing complementary colors and using thin glazes. Use white to lighten values and create atmospheric haze.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·rendering reflections
  • ·detail brushwork
  • ·color mixing

common pitfalls

  • →overworking details in the background
  • →making the reflections too sharp
  • →incorrect perspective on buildings
  • →muddying the colors
  • →uneven blending

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Thin the paints with linseed oil for glazing.

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