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Iphigenia by Herbert Gustave Schmalz (Herbert Carmichael)

plate no. 4079

Iphigenia

Herbert Gustave Schmalz (Herbert Carmichael), 1900

oilRomanticismportraitfigureportraitflowersveildraperyhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones, drapery, and subtle lighting effects. It also provides practice in capturing a mood and emotion through pose and expression.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of blue and gray, allowing for subtle variations in tone.

  3. step 03

    Block in the main areas of the figure, using a limited palette of skin tones, and paying attention to the light and shadow.

  4. step 04

    Begin to refine the facial features, focusing on the eyes, nose, and mouth. Use soft blending techniques to create smooth transitions.

  5. step 05

    Add the drapery, using thin layers of paint to create the illusion of transparency and folds.

  6. step 06

    Paint the flowers, using small brushstrokes to capture the delicate petals and leaves.

  7. step 07

    Refine the hair, using a combination of light and dark tones to create texture and volume.

  8. step 08

    Add final details and highlights, paying attention to the overall harmony of the painting.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, red, and umber, adjusting the proportions to create highlights and shadows. Use blue and umber to create the background. Mix white with a touch of yellow ochre and umber for the veil.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·drapery rendering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting the proportions of the face wrong.
  • →Making the drapery look too stiff or heavy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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