apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Intimate portraits
Intimate portraits by Alfred Dehodencq

plate no. 4972

Intimate portraits

Alfred Dehodencq, 1872

oil, canvasRomanticismgenre paintingchildrenportraitspaintingtablebooks
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding how to depict complex textures and details in a still life setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on establishing the correct skin tones for each child, paying attention to subtle variations in color and value.

  4. step 04

    Develop the details of the clothing and hair, using layering and glazing techniques to create depth and texture.

  5. step 05

    Paint the still life elements on the table, such as the books, paint box, and glass of water, with careful attention to light and shadow.

  6. step 06

    Refine the background, ensuring it complements the foreground without distracting from the main subjects.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Allow to dry and add a varnish layer.

color palette

primary · raw umber · burnt sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre · viridian

Achieve skin tones by mixing white, raw umber, and burnt sienna, with small additions of red or yellow for warmth. Use black and umber to create the darker tones in the background and clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the faces wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy or dull skin tones.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke