apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Interior with Ida Playing the Piano
Interior with Ida Playing the Piano by Vilhelm Hammershøi

plate no. 9334

Interior with Ida Playing the Piano

Vilhelm Hammershøi, 1910

oilImpressionisminteriorinteriorpianofiguretabledoorwayroom
some experience helpful

This painting is excellent for practicing subtle value shifts and creating atmospheric perspective. Recreating it will help students understand how to suggest detail through careful color mixing and soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines, paying attention to the placement of the table and doorways.

  2. step 02

    Establish the overall value structure by blocking in the large areas of light and shadow with thinned paint.

  3. step 03

    Mix a range of neutral grays and browns, focusing on subtle temperature variations.

  4. step 04

    Begin refining the details of the table, doors, and figure, using soft blending techniques.

  5. step 05

    Carefully render the light falling on the walls and floor, paying attention to reflected light.

  6. step 06

    Add the small details like the plate on the table and the picture on the wall.

  7. step 07

    Soften edges where appropriate to create a sense of atmosphere.

  8. step 08

    Step back and assess the overall balance of the painting, making any necessary adjustments.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Achieve the subtle grays by mixing black and white with small amounts of yellow ochre or burnt umber to adjust the temperature. Use thin glazes to build up color depth.

techniques

  • ·tonal painting
  • ·glazing
  • ·soft blending
  • ·atmospheric perspective
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much color and creating a painting that is too vibrant.
  • →Ignoring the subtle value shifts and creating a painting that is flat.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium (e.g., Liquin)

Use a fine-weave canvas for smoother blending. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann