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home·artworks·Interior of the Doge's Palace
Interior of the Doge's Palace by John Singer Sargent

plate no. 7446

Interior of the Doge's Palace

John Singer Sargent, 1898

oil, boardImpressionisminteriorinteriorarchitectureceilinggloberoomwindows
experienced study

Recreating this painting will help students develop skills in perspective, capturing light and shadow, and creating a sense of depth in a complex interior space. It also provides practice in rendering textures and details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and proportions of the room.

  2. step 02

    Block in the large shapes of the ceiling, walls, and floor with thin washes of color.

  3. step 03

    Establish the darkest and lightest areas to create a sense of depth and volume.

  4. step 04

    Develop the details of the ceiling ornamentation, using small brushstrokes and varying values of gold and brown.

  5. step 05

    Add the details of the walls, windows, and furniture, paying attention to the way light falls on each object.

  6. step 06

    Refine the details of the globes, using small brushstrokes to create the illusion of texture and form.

  7. step 07

    Add the figures in the background, using simple shapes and colors to suggest their presence.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · yellow ochre · ivory black

secondary · titanium white · cadmium yellow

Mix various shades of brown and gold by combining burnt umber, yellow ochre, and cadmium yellow. Use titanium white to lighten the colors and create highlights.

techniques

  • ·perspective drawing
  • ·underpainting
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Failing to establish a strong sense of perspective.
  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much detail in the background, which can flatten the space.
  • →Not paying attention to the way light and shadow define the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-grit canvas to allow for better paint adhesion and texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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