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home·artworks·Interior of the chapel of the Cambio in Perugia
Interior of the chapel of the Cambio in Perugia by Federico Faruffini

plate no. 1597

Interior of the chapel of the Cambio in Perugia

Federico Faruffini, 1869

oil, panelRomanticisminteriorinteriorchapelarchitecturealtarfiguresdoor
some experience helpful

Recreating this painting will help students develop skills in tonal painting, understanding value relationships, and capturing architectural forms with loose brushwork. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the chapel interior.

  2. step 02

    Establish the darkest and lightest areas of the painting to define the value range.

  3. step 03

    Block in the large areas of tone, starting with the mid-tones.

  4. step 04

    Gradually build up the darker areas, paying attention to the forms of the architecture and figures.

  5. step 05

    Add highlights to create depth and dimension.

  6. step 06

    Refine the details of the altar and the figures in the central panel.

  7. step 07

    Use loose brushstrokes to suggest texture and detail, avoiding overly precise lines.

  8. step 08

    Make final adjustments to the values and edges to create a cohesive and atmospheric painting.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix different ratios of black and white to achieve a full range of grays. Use raw umber to warm up the grays slightly and payne's gray to cool them down.

techniques

  • ·tonal painting
  • ·grisaille
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Creating too much contrast too early
  • →Ignoring the underlying structure of the architecture
  • →Using too much paint and losing the loose feel

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes
  • ·flat brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

A toned canvas (light gray) can be helpful for establishing the mid-tones quickly.

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oil painting for beginners →how to learn by studying the masters →
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