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home·artworks·Interior of a Mosque
Interior of a Mosque by Sevket Dag

plate no. 5336

Interior of a Mosque

Sevket Dag, 1928

oil, canvasImpressionisminteriormosqueinteriorarchitecturestained glassfigureprayer
some experience helpful

Recreating this painting will help students develop skills in rendering complex architectural details with loose brushwork and capturing the interplay of light and shadow within an interior space. Students will also learn to create depth and atmosphere using color temperature and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective.

  2. step 02

    Block in the major shapes and areas of color using thin washes.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth.

  4. step 04

    Begin building up layers of paint, focusing on capturing the texture and details of the architecture.

  5. step 05

    Pay close attention to the light source and how it affects the colors and values in the scene.

  6. step 06

    Add details to the stained glass window, using small brushstrokes of bright color.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve the warm browns by mixing burnt umber with raw sienna and a touch of yellow ochre. Use ultramarine blue and white to create cool grays for the architectural details. Mix cadmium red and yellow ochre for the red and orange hues of the stained glass.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·impasto
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Ignoring the effects of light and shadow on the colors.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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