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home·artworks·Interior, My Wife and Myself
Interior, My Wife and Myself by Tsuguharu Foujita

plate no. 4544

Interior, My Wife and Myself

Tsuguharu Foujita, 1923

oilMagic Realismself-portraitportraittablestill lifeinteriorfiguresdog
some experience helpful

Recreating this painting will help students develop skills in portraiture, still life composition, and creating a muted, slightly aged color palette. It also provides practice in rendering textures and details in a controlled manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement of the figures and objects.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figures and table.

  3. step 03

    Refine the shapes and proportions of the figures, focusing on accurate representation of their features.

  4. step 04

    Add details to the still life objects on the table, such as the tea set and brushes.

  5. step 05

    Develop the textures of the wall and table, using subtle variations in color and brushstroke.

  6. step 06

    Paint the clothing, using layers to build up the folds and shadows.

  7. step 07

    Add the small details like the key, cross, and rooster embroidery.

  8. step 08

    Apply final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · burnt sienna · yellow ochre · cadmium red light

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and white for the background and table. Mix Prussian blue with white and a touch of raw umber for the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to accurately capture the proportions of the figures.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium alkyd

Use high-quality oil paints for the best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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