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home·artworks·Inn Valley Landscape
Inn Valley Landscape by Lovis Corinth

plate no. 3877

Inn Valley Landscape

Lovis Corinth, 1910

oilImpressionismlandscapelandscapemountainscloudsskyfieldsroad
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating atmospheric perspective, and capturing the texture of clouds and fields with visible brushstrokes. It also provides practice in simplifying complex landscapes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like mountains and the road.

  2. step 02

    Establish the sky with broad strokes of blue and white, creating the cloud formations.

  3. step 03

    Block in the distant mountains with varying shades of blue, using lighter tones for areas closer to the horizon to create atmospheric perspective.

  4. step 04

    Paint the fields with a mix of greens, yellows, and browns, using directional brushstrokes to suggest the texture of the grass.

  5. step 05

    Add the road, using a mix of browns and grays, and suggesting the path with converging lines.

  6. step 06

    Introduce details like the buildings and trees, keeping them simple and suggestive rather than overly detailed.

  7. step 07

    Refine the cloud formations, adding highlights and shadows to create depth and volume.

  8. step 08

    Add final touches and highlights to the foreground to bring the painting to life.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · viridian green · cadmium yellow

Mix blues and white for the sky and mountains, adding small amounts of yellow ochre to create warmer tones. Greens are achieved by mixing blue and yellow, with umber added for darker shades.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Using too much detail in the background
  • →Creating muddy colors by over-mixing
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#8 flat brush
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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