apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Independence Hall, Philadelphia
Independence Hall, Philadelphia by Currier and Ives

plate no. 0244

Independence Hall, Philadelphia

Currier and Ives, 1776

oilRomanticismcityscapebuildingarchitecturecityscapefigureshorsessky
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, perspective, and creating atmospheric effects. It also provides practice in depicting figures and animals in a historical context.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of Independence Hall and surrounding buildings.

  2. step 02

    Establish the horizon line and vanishing points to ensure accurate perspective.

  3. step 03

    Block in the main color areas for the buildings, sky, and ground, using diluted washes.

  4. step 04

    Add details to the architecture, such as windows, doors, and decorative elements.

  5. step 05

    Paint the figures and horses, paying attention to their proportions and poses.

  6. step 06

    Create atmospheric perspective by lightening the colors of distant objects.

  7. step 07

    Add shadows and highlights to create depth and dimension.

  8. step 08

    Refine details and add final touches to complete the painting.

color palette

primary · burnt sienna · raw umber · ultramarine blue · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix burnt sienna and raw umber for the building's brick color, adding white for highlights and ultramarine blue for shadows. Use yellow ochre and white for the sky, and viridian mixed with raw umber for the trees.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overly saturated colors that detract from the historical feel.
  • →Lack of detail in the architectural elements.
  • →Inaccurate proportions of figures and horses.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·medium gloss
  • ·easel
  • ·reference photos of Independence Hall

Use a smooth canvas for best results. Acrylics are recommended for their fast drying time and ease of use.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke