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home·artworks·Incoming Tide
Incoming Tide by Guy Rose

plate no. 2060

Incoming Tide

Guy Rose, 1917

oil, canvasImpressionismlandscapeoceanrockscliffswavescoastlinesky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the movement of water with expressive brushstrokes. It also provides practice in simplifying complex natural forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cliffs, rocks, and horizon line with a light pencil.

  2. step 02

    Block in the large areas of color for the sky, ocean, cliffs, and rocks using thin washes.

  3. step 03

    Begin layering colors on the cliffs and rocks, building up texture and form with short, broken brushstrokes.

  4. step 04

    Paint the ocean, capturing the movement of the waves with varying shades of blue and green.

  5. step 05

    Add highlights to the water and rocks to create a sense of light and depth.

  6. step 06

    Refine the details of the cliffs and rocks, paying attention to the subtle color variations.

  7. step 07

    Add the white foam of the waves, using small, quick brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and dynamic composition.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · viridian green · titanium white · cadmium yellow

Mix greens by combining blue and yellow. Use white to lighten colors and create highlights. Vary the intensity of colors by adding small amounts of complementary colors.

techniques

  • ·broken color
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overblending colors, which can result in a muddy appearance.
  • →Failing to establish a strong value structure, which can flatten the image.
  • →Getting lost in details too early, before establishing the overall composition.
  • →Using too much paint, which can obscure the texture of the canvas.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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