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home·artworks·Incendie De Persepolis
Incendie De Persepolis by Georges Rochegrosse

plate no. 3287

Incendie De Persepolis

Georges Rochegrosse, 1890

oilArt Nouveau (Modern)history paintingfiguresarchitecturefirelandscapeceremonyhistorical
advanced study

Recreating this painting would develop skills in figure drawing, composition, and creating atmospheric perspective. Students can learn to manage a complex scene with many figures and architectural elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of light and shadow.

  3. step 03

    Refine the figures, paying attention to anatomy and proportions.

  4. step 04

    Add details to the architecture, including columns, carvings, and other decorative elements.

  5. step 05

    Develop the background landscape, using atmospheric perspective to create depth.

  6. step 06

    Paint the fire, using bright colors and dynamic brushstrokes to convey its energy.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · viridian green · alizarin crimson · cadmium yellow

Achieve the skin tones by mixing titanium white, cadmium red, and yellow ochre. Create the atmospheric perspective by adding blue and white to the background colors.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early
  • →Incorrect proportions of figures
  • →Flat or lifeless colors
  • →Ignoring atmospheric perspective
  • →Overworking the painting

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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