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home·artworks·In the Studio
In the Studio by Spyros Vassiliou

plate no. 1377

In the Studio

Spyros Vassiliou, 1957

oilMagic Realismgenre paintingfiguresinteriorwindowpaintingportraitstudio
some experience helpful

Recreating this painting will help students develop skills in figure drawing, color mixing for skin tones and fabric, and creating a sense of depth through layering and atmospheric perspective. It also provides practice in capturing realistic proportions and poses.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement within the composition.

  2. step 02

    Block in the background with a thin wash of blue, establishing the overall tone of the painting.

  3. step 03

    Start painting the figures, beginning with the larger shapes and gradually adding details.

  4. step 04

    Mix and apply the base colors for the skin tones, dress, and black suit, focusing on accurate color matching.

  5. step 05

    Add shadows and highlights to create form and dimension in the figures and clothing.

  6. step 06

    Paint the window and the painting on the wall, paying attention to the light and shadow patterns.

  7. step 07

    Refine the details of the faces, hands, and other key areas.

  8. step 08

    Make final adjustments to the colors, values, and edges to create a cohesive and balanced painting.

color palette

primary · ultramarine blue · cadmium red · ivory black

secondary · burnt sienna · titanium white · yellow ochre

Mix various shades of blue with white and a touch of red to achieve the background color. Create skin tones by mixing white, yellow ochre, and a touch of red and burnt sienna. Use black with a hint of blue for the dark suit.

techniques

  • ·blocking in
  • ·layering
  • ·color mixing
  • ·blending
  • ·scumbling

common pitfalls

  • →Incorrect proportions in the figures.
  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle variations in light and shadow.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleaning

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly due to their faster drying time, but oils offer greater blending capabilities.

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related guides

oil painting for beginners →how to learn by studying the masters →
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