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home·artworks·In the Presence of the Lord
In the Presence of the Lord by Francesc Masriera

plate no. 8952

In the Presence of the Lord

Francesc Masriera, 1891

oilArt Nouveau (Modern)portraitfigureportraitclothingjewelryornamentsbackground
experienced study

Recreating this painting will help students develop skills in rendering complex textures and patterns, as well as understanding subtle color variations to create depth and form. It also provides practice in portraiture and capturing the likeness of a subject.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color for the background, skin tones, and clothing.

  3. step 03

    Start building up the values and tones in the face, paying attention to light and shadow.

  4. step 04

    Begin adding details to the clothing, focusing on the patterns and textures.

  5. step 05

    Work on the jewelry and ornaments, capturing their intricate designs and reflective qualities.

  6. step 06

    Refine the background, adding depth and atmosphere.

  7. step 07

    Add final highlights and details to the entire painting.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · ivory black · titanium white · burnt umber · yellow ochre

secondary · alizarin crimson · ultramarine blue · cadmium yellow

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the gold tones by mixing yellow ochre, burnt umber, and a touch of white. Darken colors with burnt umber and lighten with white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering textures
  • ·layering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversimplifying the patterns and textures of the clothing.
  • →Failing to capture the subtle color variations in the skin tones.
  • →Losing the overall sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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