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home·artworks·In the Peristyle
In the Peristyle by John William Waterhouse

plate no. 1038

In the Peristyle

John William Waterhouse, 1874

oil, canvasRomanticismgenre paintingfigurearchitecturecolumnspigeonscourtyardfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and architectural elements, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, columns, and architectural structure.

  2. step 02

    Establish the basic color blocks for the background, including the foliage and the distant structures.

  3. step 03

    Block in the main colors of the figure: the skin tones, the white tunic, and the red skirt, paying attention to the light and shadow.

  4. step 04

    Start rendering the columns, focusing on the subtle gradations of light and shadow to create a sense of volume.

  5. step 05

    Add details to the figure, including the facial features, hair, and the folds of the drapery.

  6. step 06

    Paint the pigeons, capturing their varied colors and poses.

  7. step 07

    Refine the details of the architectural elements and the foliage, adding texture and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and atmospheric perspective.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · sap green · ivory black

Mix various shades of white with small amounts of umber and ochre to create the subtle tones of the columns. Use red and white to achieve the skirt's color, and mix greens with blues and yellows for the foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating flat, lifeless skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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