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home·artworks·In the Osteria, called ''The Snake bar''
In the Osteria, called ''The Snake bar'' by Rudolf Jordan

plate no. 3060

In the Osteria, called ''The Snake bar''

Rudolf Jordan, 1878

oil, canvasRomanticismgenre paintingfiguresinteriortablefooddogarchitecture
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with multiple figures and creating a sense of depth through atmospheric perspective. It also provides practice in rendering realistic textures and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the background, walls, and floor.

  4. step 04

    Begin adding details to the figures, starting with the faces and hands.

  5. step 05

    Develop the clothing and accessories, paying attention to the folds and textures.

  6. step 06

    Refine the details of the table setting and other objects in the scene.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Apply final glazes to unify the colors and add richness.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · raw sienna

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of transparent colors to add depth and richness.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, yellow ochre, titanium white, cadmium red, ultramarine blue, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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