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home·artworks·In the Orchard
In the Orchard by Edmund Charles Tarbell

plate no. 4773

In the Orchard

Edmund Charles Tarbell, 1891

oil, canvasImpressionismgenre paintingfigureslandscapetreesgrassclothingbench
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and capturing the effects of light and shadow on clothing and foliage. It's a good exercise in impressionistic brushwork and color mixing to create a sense of atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and major elements.

  2. step 02

    Block in the main areas of color, focusing on the overall values and relationships.

  3. step 03

    Develop the background, starting with the sky and trees, using loose, impressionistic brushstrokes.

  4. step 04

    Work on the figures, paying attention to the folds and drapery of the clothing and the effects of light.

  5. step 05

    Refine the details of the faces and hands, using smaller brushes and more precise strokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Develop the foreground, including the grass and any other details.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · yellow ochre · viridian · titanium white · burnt umber

secondary · cadmium red · ultramarine blue · ivory black

Mix greens by combining viridian with yellow ochre and white. Achieve subtle variations in skin tones by mixing white, yellow ochre, and a touch of cadmium red. Use ultramarine blue and white to create the sky and lighter shades in the clothing.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Neglecting the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, viridian, titanium white, burnt umber, cadmium red, ultramarine blue, ivory black)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·color chart

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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