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home·artworks·In the Old Palace, Kandy, Ceylon (Sri Lanka)
In the Old Palace, Kandy, Ceylon (Sri Lanka) by Marianne North

plate no. 8784

In the Old Palace, Kandy, Ceylon (Sri Lanka)

Marianne North, 1880

oilImpressionisminteriorinteriorfiguressculpturesarchitecturetableflowers
some experience helpful

Recreating this painting will help students understand color temperature and how to create depth using subtle shifts in color. It also provides practice in capturing the essence of forms with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to the perspective of the room.

  2. step 02

    Block in the large areas of color, starting with the blue walls and ceiling.

  3. step 03

    Add the darker values to define the shadows and architectural details.

  4. step 04

    Paint the figures, focusing on capturing their poses and clothing with simplified shapes.

  5. step 05

    Add the details of the sculptures and other decorative elements.

  6. step 06

    Introduce the greens of the foliage seen through the doorway.

  7. step 07

    Refine the colors and values, blending where necessary to create a sense of atmosphere.

  8. step 08

    Add final details, such as the flowers and patterns on the table cloths.

color palette

primary · cerulean blue · titanium white · raw umber

secondary · cadmium red · sap green · yellow ochre

Mix various shades of blue by combining cerulean blue with white and small amounts of raw umber. Achieve the greens by mixing sap green with yellow ochre and a touch of blue. Use red and umber to create the pinks and browns.

techniques

  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective
  • ·simplified forms

common pitfalls

  • →Overworking the details
  • →Using too much pure color without mixing
  • →Losing the overall sense of light and atmosphere
  • →Ignoring the perspective of the room

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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