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home·artworks·In the Light of the Setting Sun
In the Light of the Setting Sun by Victor Borisov-Musatov

plate no. 2221

In the Light of the Setting Sun

Victor Borisov-Musatov, 1904

canvas, temperaImpressionismgenre paintingfigureslandscapebuildingtreespathsky
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture and form. It also provides practice in simplifying complex shapes into basic forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, building, figures, and major tree masses.

  2. step 02

    Block in the sky with light blue, gradually adding white for the clouds.

  3. step 03

    Establish the basic green tones of the grass, varying the shades to create depth.

  4. step 04

    Paint the building with white, adding subtle shadows to define its form.

  5. step 05

    Block in the trees with dark greens and browns, using short, broken brushstrokes.

  6. step 06

    Paint the figures with simplified shapes and colors, focusing on the overall impression.

  7. step 07

    Add details to the path and foreground, using lighter tones to suggest sunlight.

  8. step 08

    Refine the details and adjust the colors to achieve the desired atmospheric effect.

color palette

primary · ultramarine blue · yellow ochre · titanium white · sap green

secondary · burnt umber · alizarin crimson · cadmium yellow light

Mix greens by combining yellow ochre and ultramarine blue. Create atmospheric perspective by adding white to colors for distant objects. Achieve the building's color by mixing white with a touch of yellow ochre and ultramarine blue.

techniques

  • ·broken brushstrokes
  • ·atmospheric perspective
  • ·color layering
  • ·scumbling
  • ·simplified forms

common pitfalls

  • →overworking the details
  • →using too much detail
  • →creating muddy colors
  • →neglecting atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas for better texture. Acrylics are easier for beginners, while oils offer richer colors and blending capabilities.

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related guides

color theory for painters →how to learn by studying the masters →
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