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home·artworks·In the Hollow of His Hand
In the Hollow of His Hand by Elizabeth Thompson

plate no. 3340

In the Hollow of His Hand

Elizabeth Thompson

oilRomanticismmarinaseaskycloudsmoonlightshipwater
some experience helpful

Recreating this painting will help students develop skills in blending colors to create atmospheric perspective and capturing the subtle gradations of light on water. It will also teach them how to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the position of the ship.

  2. step 02

    Block in the basic shapes of the sky and sea with diluted washes of color.

  3. step 03

    Establish the position of the moon and the reflected light on the water.

  4. step 04

    Gradually build up the layers of color in the sky, creating soft transitions between the clouds.

  5. step 05

    Refine the details of the ship, keeping it simple and silhouetted.

  6. step 06

    Add subtle variations in color to the water to suggest depth and movement.

  7. step 07

    Pay attention to the edges of the clouds and the reflected light, softening them for a hazy effect.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a sense of atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix ultramarine blue and raw umber for the base of the sky and sea. Add white to lighten the colors and create highlights. Use yellow ochre and burnt sienna to create the warm glow of the moonlight.

techniques

  • ·wet-on-wet blending
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Using too much color and losing the subtle gradations of light.
  • →Not paying attention to the values and creating a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Thin the paints with linseed oil to create smooth, translucent washes.

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oil painting for beginners →how to learn by studying the masters →
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