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home·artworks·In the Garden of Gethsemane. Noonday. Looking towards Valley of Jehoshaphat
In the Garden of Gethsemane. Noonday. Looking towards Valley of Jehoshaphat by Elizabeth Thompson

plate no. 3589

In the Garden of Gethsemane. Noonday. Looking towards Valley of Jehoshaphat

Elizabeth Thompson

oilRomanticismlandscapetreeslandscapearchitecturegardenskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating texture with dry brush techniques. They will also learn how to simplify complex scenes by focusing on key shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the large tree, the distant wall, and the other trees and structures.

  2. step 02

    Apply a light wash of diluted yellow ochre and raw sienna to the sky and distant hills.

  3. step 03

    Begin layering washes on the large tree trunk, using burnt umber, raw sienna, and touches of indigo for shadows.

  4. step 04

    Paint the foliage with varying greens, using a dry brush technique to create texture.

  5. step 05

    Add details to the buildings and wall in the background, keeping them soft and muted.

  6. step 06

    Develop the foreground with layers of green and brown, adding small details of flowers and plants.

  7. step 07

    Refine the shadows and highlights throughout the painting to create depth and dimension.

  8. step 08

    Add final details, such as small branches and leaves, using a fine brush.

color palette

primary · burnt umber · raw sienna · yellow ochre

secondary · sap green · indigo · titanium white

Mix greens by combining yellow ochre and indigo. Use white to lighten colors and create subtle variations in tone. Achieve the tree bark texture by layering dry brush strokes of different browns and grays.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the background, which should remain soft and muted.
  • →Making the tree trunk too uniform in color, failing to capture the variations in light and shadow.
  • →Using too much water, which can lead to muddy colors.
  • →Not allowing each layer of wash to dry completely before applying the next.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·masking tape

optional

  • ·palette knife
  • ·watercolor pencils
  • ·kneaded eraser

Use high-quality watercolor paints for best results. Experiment with different brush sizes and techniques to achieve the desired textures.

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related guides

oil painting for beginners →how to learn by studying the masters →
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