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home·artworks·In the garden
In the garden by Konstantinos Volanakis

plate no. 2808

In the garden

Konstantinos Volanakis

oilImpressionismlandscapebuildingdonkeyflowerscourtyardrooftopsky
some experience helpful

Recreating this painting will help students develop skills in rendering textures with visible brushstrokes and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the subtle color variations in natural light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, donkey, and flowerbeds, paying attention to proportions and perspective.

  2. step 02

    Block in the main color areas for the sky, building walls, roof, and ground using thin washes.

  3. step 03

    Develop the textures of the building walls and roof using broken brushstrokes and varying values.

  4. step 04

    Paint the donkey, focusing on its form and the way light falls on its fur.

  5. step 05

    Add the flowers and foliage, using a variety of greens and colors to create depth and interest.

  6. step 06

    Refine the details of the courtyard floor and add the chicken and cat.

  7. step 07

    Adjust the overall values and colors to create a harmonious composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · burnt sienna · cadmium red light · sap green · ivory black

Mix various shades of beige and gray for the building walls by combining white, yellow ochre, and raw umber. Use burnt sienna and raw umber for the roof tiles, adding white for highlights. Mix greens for the foliage by combining sap green, yellow ochre, and a touch of blue.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Creating flat, lifeless colors instead of capturing the subtle variations in light and shadow.
  • →Failing to establish a clear focal point and creating a cluttered composition.
  • →Not paying attention to the perspective of the building and courtyard.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas to allow for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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